Showing posts with label Pixies. Show all posts
Showing posts with label Pixies. Show all posts

Mar 27, 2013

Another bad-ass Aries!

That is right, folks, the twelve days of Michael's birthday has begun, and I will be sharing the stories of some bad-ass Aries folks like me on fauxluxe.

"You're so pretty when you're unfaithful to me"


Today's bad-ass Aries is Charles Michael Kittridge Thompson IV.  Or, better known as Black Francis or Frank Black.

There is just no getting around it, no matter what any one else might say.  The Pixies are one of the greatest groups of all time.  They stand alone in many ways.  Even their worst records are better than most bands' best ones.  And, they are so distinct, and special, that they are impossible to cover.  One of the Pixies' greatest admirers, David Bowie, attempted to cover Debaser, and failed miserably.  And, I love me some Thin White Duke.



And, could I say something about Joey Santiago, lead guitarist for the Pixies, before I relate a few stories about Black Francis and his stellar band? When I had heard that the Pixies had broken up, I had a friend in the Bakery Dept of the Food Hole at Berkeley that I shared this v sad information with.  This is 1992.  The first words out of her mouth were, "What about Joey Santiago? What is he gonna do?"

I did not get it.  At that point, the Pixies for me were Black Francis and Kim Deal.

I get it now.  And, have "gotten it" for quite a while.  Santiago is one of the greatest rock guitarists ever, full stop.  You do not believe me? Listen to Subbacultcha.  Listen to Vamos.  Listen to his absolutely perfect tone on record after record.  Only Steve Cropper to me has got a better sense of texture and tone to fit the need of a particular song.



Anyroad, it is Story Time now, bothers and sisters:

I have seen the Pixies three times live.  The first time was at the Union Ballroom at UT right after Doolittle.  The space was awful.  The sound was terrible.  (Black Francis, a serious fucking perfectionist kept bitching about the sound all night long.) But, it does not matter.  Austim was desperate, craving to hear the Pixies, their first show there.  My favorist memory of that show, in which they played their set in alphabetical order (how brilliant!) was Kim deal walking out on to the stage, plugging in and saying, "This is Austin, right? You guys love the Butthole Surfers."

The second time I saw them was them promoting Trompe le Monde.  I was on mushrooms, and I had a date that I had completely lost.  She worked with me at Martin Bros (inside the Food Hole Mother Store on Lamar St), and was living with, dating Brian Beatty of Glass Eye (another favorite band of mine.)

I remember a number of things:  One, that the Pixies had no opening act, and that they made us wait forever.  This time it was at The Austin Opera House (a fabulous venue, I saw Squeeze, 10,000 Maniacs, Elvis Costello, Lenny Kravitz, Dino Lee and his White Trash Revue, the Butthole Surfers, and dozens of others there) and Two, that the Pixies had decided that the opening "music", as it were, for their appearance would be thirty minutes of the kind of noise you hear at the beginning of The Smiths' Meat is Murder track.

Third, the mushrooms kicked in right as the Pixies hit the stage.  Black Francis was all dressed in red, a sort of cowboy outfit.  And, the first thing this hard core atheist thought was: Black Francis is Satan!

The band did not play an encore.  Folks at the Opera House were plenty pissed, and Mark W, and my friend Kenny discussed it at the Omlettry  at great length.  (What happened to my date? I have no idea.  I caught up w/ her at work.  She was fine.  And Brian told me that she had had a great great time.) I dinnae care that they dinnae play an encore.  They had satiated my desire, for sure.

*************

Finally, I fucking broke up the Pixies! I was working at Martin Bros., making smoothies and sandwiches for the kids.  Making strawberry smoothies for Molly Ivins (I always told her, "Keep raising hell, Sister" when I handed her her drink.)

Anyhoo, It was my birthday, and the Pixies were playing at the Enormodome, the Frank Erwin Center, opening up for U2.  There was no way I was paying twenty-five dollars to see Bono prance around the stage, bitching about how he still has not found what he was looking for, no matter that the greatest band ever (to me, at least) were opening for them.  (I have read about the horror stories of that tour from the Pixies.  The Pixies severely got the shaft from Ireland's finest, no matter what Bono or The Edge might suggest about their admiration for America's greatest band at the time.)

Black Francis showed up at Martin Bros. on my birthday, April 7, 1992.  Joey Santiago was also there.  David Lovering was not.

(I have always had this strange sensation, fear, that I would not be able to recognize a famous person if they had presented themselves to me.  But, every single time that it has happened to me, I have recognized them straight on, and have  -- for the most part --  got my grille right up on to theirs and introduced myself to them, and tried to start a conversation.)

I recognized Black Francis straight away.  I told all the other folks at Martin Bros that I would be handling this order, making it, ringing it up, whatever.  

I took his order, told him that I wish I were at the show, and that it was my birthday today.  Black Francis said, "Wow, my birthday was yesterday."

I made his sandwich and smoothie, and as I rung him up, said, "Where's Kim?"

Black Francis rolled his eyes in disgust.

I broke up the Pixies.



"It's ead - you - cay - shuh - nuhl!"
























Mwah, ... 










































Noam Chomsky will be at the Paramount in Oakland in May.  Talk about holding peasants in your arms, if you will.



















Ardent


Aug 3, 2010

The Crucial Albums (UPDATE!)

When I first purchased Congratulations by MGMT I listened to it (or parts, or most of it) at least once, oftentimes 2ce or three times a day.

Then I took a break, as I am wont to do, and I reckon many other music fiends do the same.

Listened to it today, expecting my love to have soured or grown cold.

Not the case.

The Siberian 'Suite' sounds much better today, w/ its' slightly out of phase version of Cohen's So Long Maryanne, & the e'er so lovely mostly instrumental middle piece inducing The Hill's Climb swoons.

Song for Dan Treacy is as crisp, smart, & sassy as ever.  & the vocal performance on Flash Delirium is as brilliant, nuanced, & sophisticated as some of the best of Lennon's later Beatles work.

Still fantastic.

But, I claimed it was the best new album I'd bought since Crooked Rain by Pavement (1994).


I still stand by that today.


Here are the crucial NEW albums I have loved since R.E.M. changed my life in 1984:



  • White Denim/Fits (2009) 
  • Other Lives/Other Lives (April 7, 2009  -my birthday!)
  • Mary Weiss/Dangerous Game (2007)
  • Lily Allen/Alright, Still (2006)
  • Continental Stomp/Hot Club of Cowtown (2003)
  • Slanted and Enchanted/Pavement (1992)
  • Wowee Zowee/Pavement (1995)
  • Chrome Cranks/Chrome Cranks (1994)
  • High Llamas/Hawaii (1996)
  • Stereolab/Refried Ectoplasm (1995)
  • Stereolab/Sound Dust (2001)
  • Nirvana/Nevermind (1991)
  • Pixies/Bossanova (1990)
  • Pixies/Trompe le Monde (1991)
  • Oblivians/The Oblivians play 9 songs w/ Mr Quintron (1997)
  • High Llamas/Gideon Gaye (1994)
  • High Llamas/Cold and Bouncy (1995)
  • Teenage Fanclub/Grand Prix (1995)
  • Teenage Fanclub/The Concept (1991)
  • Belle & Sebastian/Tigermilk (1999-  US release!)
  • The Perfect Disaster/Heaven Scent (1990)
  • Cheater Slicks/Don't Like You (1995)
  • Cheater Slicks/Forgive Thee (1998)
  • Belle & Sebastian/If You're Feeling Sinister (1996)
  • The Smiths/The Smiths (1984)
  • The Cure/Disintegration (1989)
  • The Smiths/Strangeways Here We Come (1987)
  • R.E.M./Murmur (1983)
  • R.E.M./Reckoning (1984)
  • R.E.M./Document (1987)
  • R.E.M./Life's Rich Pageant (1986)
  • R.E.M./Green (1998)
  • Stereolab/Space-age Bachelor Pad Music (1993)
  • The Perfect Disaster/Up (1989)
  • Dirtbombs/Ultra-glide in Black (2001)
  • Rocket from the Crypt/Scream Dracula Scream (1995)
  • Radiohead/OK Computer (1997)
  • Hot Club of Cowtown/Tall Tales (1999)
  • Hot Club of Cowtown/Swingin' Stampede (1998)
  • Rocket from the Crypt/Circa:  Now! (1995)
  • Cheater Slicks/Refried Dreams (1999)
  • Jon Spencer Blues Explosion/Orange (1994)
  • Stereolab/Transient Random Noise Bursts (1993)
  • Pavement/Crooked Rain Crooked Rain (1994)
  • My Bloody Valentine/Loveless (1991)
  • Pixies/Doolittle (1989)
  • Oblivians/Popular Favorites (1996)
  • High Llamas/Snowbug (1999)
  • Stereolab/Emperor Tomato Ketchup (1996)
  • Lord High Fixers/Is Your Club a Secret Weapon? (1999)
  • Lord High Fixers/Group Improviastion ... That's Music (1997)
  • Spacemen 3/Recurring (1991)
  • The Smiths/Louder Than Bombs (1987)
  • XTC/Skylarking (1986)
  • Beulah/The Coast is Never Clear (released on 9/11/2001!)
NOTES:  It seems the best years were 1996 & particularly 1999.  Now, I have heard theories before re the double digits for great rock, i.e. '55, '66, '77, '88, etc, ... Maybe they were right or maybe the end of the century put enough of a burden on rock artists to produce seminal work before the century ended.  What was I listening to between 2001 & 2007, you might ask:  STAX.  STAX.  & more STAX.  I'm so glad I love MGMT now b/c it gives me a 'Holy Trinity' of new bands to love (Other Lives, White Denim, & MGMT.)  I truly dedicated myself to Stax records for 7 years.  I wanted to know EVERYTHING aboot the Memphis label.  It was a mySpace 'mall diva', Lily Allen (& Mary Weiss [Reigning Sound, nee Oblivians backing her] & Amy Winehouse) of all folks to wake me from my STAX slumber.  I still consider the Beatles/STAX/Bonzo Dog Band/Steely Dan/Spacemen 3 the greatest groups of all-time.  Smiths fan might wonder, What about Meat Is Murder & The Queen is Dead? I did not hear those records, partic. Queen until well after they were released.  I loved The Smiths/The Smiths but took a snooze (except for the singles comp, Louder Than Bombs-   ah! tearing down Austin freeways w/ Kate & Dave & Allison blaring London on my crappy jambox from the backseat, ... ) until I read in the NME that the Smiths had broken up & that Strangeways would be their swansong.  I read that in the smoking section of the Drama Dept, UT; bought Strangeways a day later & still think it's fantastic.  Meat is my fave Smiths record, their best by far, I think, anyway.  I din't get in to the Replacements until they started releasing crappy records.  I believe they're the unrighteous band, compared to the righteous R.E.M, in Lester Bangs insightful & prescient theory of righteous/unrighteous band duos:  Stones: un, Beatles: righteous; Sex Pistols: un, Clash: righteous, etc, ... R.E.M. were righteous, the Replacements were not.  It is possible this duopoly is still playing out, perhaps Blur & Oasis? But I just can't be bothered, I'd rather listen to Otis Redding.  Finally, I'd like to point oot that STAX kicks Motown's ass every day of the week & sideways, to boot.  If you do anything after reading this, please, start by listening to Otis Redding, Carla Thomas, Booker T. & the MGs, Rufus Thomas, Johnny Taylor, the Dramatics, the Mar-Keys, the Bar-Kays, Isaac Hayes, Albert King, Barbara Brown, Sam & Dave, Wendy Rene, Wm. Bell, the Astors, the Staple Singers, etc, ... 

Honestly, even after this huge list, if I was homeless & could pick only 10 cds they would be The STAX story boxset, Rubber Soul, Revolver, White Album, With the Beatles, & Beatles for Sale.  all Beatle albums would be in their orig mono versions (just like those great STAX records.)


UPDATE!:  I have just added 2 albums I had forgotten about.  They are now included underneath The Smiths/Louder Than Bombs.  I will keep doing updates as I see fit.  One note aboot XTC/Skylarking (1986):  I bought the UK import vinyl (embossed cover) version (& no Dear God on the record- instead: Mermaid Smiled) at Waterloo records (when it was south of the river) on election day in Texas.  It was my first election & I lost.  I voted for Mark White but Turdblossom's Bill Clements won, prob due to Turdblossom's 'imaginary' Democratic bugging of his office.  You see, he was an asshole even back in 1986!